The folk song in its essence: an ethnomusicological analysis of five traditional Brazilian popular songs

Registro completo de metadados
MetadadosDescriçãoIdioma
Autor(es): dc.contributorUniversidade Estadual Paulista (UNESP)-
Autor(es): dc.contributorTheatro Municipal Sao Paulo-
Autor(es): dc.creatorVaccari, Pedro Razzante-
Data de aceite: dc.date.accessioned2025-08-21T19:47:07Z-
Data de disponibilização: dc.date.available2025-08-21T19:47:07Z-
Data de envio: dc.date.issued2023-07-29-
Data de envio: dc.date.issued2023-07-29-
Data de envio: dc.date.issued2021-12-31-
Fonte completa do material: dc.identifierhttp://dx.doi.org/10.24206/lh.v8i1.47148-
Fonte completa do material: dc.identifierhttp://hdl.handle.net/11449/245090-
Fonte: dc.identifier.urihttp://educapes.capes.gov.br/handle/11449/245090-
Descrição: dc.descriptionWe looked for researching the origins and main sources of two popular traditional brazilian songs, that are: the Maracatu song Loanda and the indigenous song Natio, from Paresis natives. They represent a brazilian popular music stylistic panorama, as urban, rural or made by the natives themselves. They have, therefore, in addition to aesthetic-musical idiosyncrasies, characteristics specific to each region and ethnic group that produced them. They are a cultural source that reflect the enormous profusion of songs that the continental country had produced until the 1930s, when the Nationalist Movement broke out in Brazil, which sought to unify the languages of Literature, Music and Plastic Arts in favor of an artistic totality that unveiled the meanings of Nationality. The songs in question were brought together and harmonized by brazilian northwest composer Jose Siqueira 1907-1985), and released on disc in 1939. In them we can see portraits of different shades of national color: popular music with rural percussion, indigenous ritual and Afro brazilian religious music. They are pieces of a larger picture, where the different Brazilian regions can be observed, through an ethnomusicological view that seems to want to translate the folk essence of our people.-
Descrição: dc.descriptionUniv Estadual Paulista, Arte IA, Sao Paulo, Brazil-
Descrição: dc.descriptionTheatro Municipal Sao Paulo, Sao Paulo, SP, Brazil-
Descrição: dc.descriptionUniv Estadual Paulista, Arte IA, Sao Paulo, Brazil-
Formato: dc.format294-324-
Idioma: dc.languagept_BR-
Publicador: dc.publisherUniv Fed Rio De Janeiro, Fac Letras-
Relação: dc.relationLaborhistorico-
???dc.source???: dc.sourceWeb of Science-
Palavras-chave: dc.subjectPopular-
Palavras-chave: dc.subjectTraditional-
Palavras-chave: dc.subjectEthnomusicology-
Palavras-chave: dc.subjectNationalism-
Palavras-chave: dc.subjectFolk essence-
Título: dc.titleThe folk song in its essence: an ethnomusicological analysis of five traditional Brazilian popular songs-
Tipo de arquivo: dc.typelivro digital-
Aparece nas coleções:Repositório Institucional - Unesp

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