Cultural archive: the historical alternative in the process of post-conceptual painting (Atena Editora)

Registro completo de metadados
MetadadosDescriçãoIdioma
Autor(es): dc.contributor.authorRODRIGUES, FILIPE JOSÉ DA SILVA-
Data de aceite: dc.date.accessioned2024-07-15T17:59:34Z-
Data de disponibilização: dc.date.available2024-07-15T17:59:34Z-
Data de envio: dc.date.issued2024-06-20-
Fonte: dc.identifier.urihttp://educapes.capes.gov.br/handle/capes/778116-
Resumo: dc.description.abstractAn alternative historical vision, proposed in counterpoint to the domain of history protected by an orthodox virility and a Eurocentric vision, deepens the importance of archives related to race and gender issues to the detriment of class Social. Gayatri Spivak, for the need to understand the post-colonial situation, contributed to the construction of the notion of archive, causing the fall of social codes rooted in political economy and not cultural. In a recent publication, Hal Foster reinforces this idea of ​​post-globalization of the notion archive, which has always been present in artistic projects, but which In recent years it has come to constitute itself as an artistic process and device. Post-conceptual painting, as long as it uses pre-existing images, no longer just coming from the written press, television, video, it is part of the diaspora of the digital world. So: - What meaning is expected in the process of post-conceptual painting?pt_BR
Idioma: dc.language.isoenpt_BR
Palavras-chave: dc.subjectPostconceptualpt_BR
Título: dc.titleCultural archive: the historical alternative in the process of post-conceptual painting (Atena Editora)pt_BR
Tipo de arquivo: dc.typelivro digitalpt_BR
Aparece nas coleções:Livros digitais